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Rentals – Darkroom | Looking Glass Photo

Photographers including Sally Mann, Jeff Jacobsen and Charles Harbutt discuss the tensions between analogue and digital. Brighton-based camera manufacturer Intrepid Camera Co.

The Kickstarter campaign for the new Intrepid Enlarger is now live and will end on 03 November American photographer Harvey Wang began shooting with black-and-white film, and developing his photographs in a darkroom in the basement of his home, Looking for someone with a photography darkroom just Life on the BoweryWang began shooting in digital. Changes in his own practice reflected the tide of wifh in the wider photography world: I found myself missing the old ways of working and wondered how other photographers were navigating this change.

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Charles Harbutt United States, Courtesy Peter Fetterman Gallery. His nostalgic photographs tell the stories of individuals who engage with ways of life that are disappearing — from printers and typesetters to rabbinic tailors and blacksmiths.

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Darkroom printers and film photographers fall into this category and have remained a source of inspiration for Wang.

The project culminated in when he released a book and documentary film of the same name: From Darkroom to Daylight. Personal dith with many of those in the film photography scene, along with his own lived experiences, provided Wang with a unique position from which to access those caught in the crossfire between film and digital.

His journey opened up intriguing conversations about what has been gained, and what has been lost, through the adoption of digital photography. Many of the photographers are sanguine in the face of new technologies, which threaten their beloved film mediumwhile others, such as renowned black-and-white photographer Sally Mann, strongly lament darkroo, adoption of iPhone photography.

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The overriding sentiment, however, is one of confidence: Courtesy Gagosian. Jeff Jacobson. So the process is going on in your unconscious, and digital brings that up to the conscious. Too many variables. To begin with, no two people ever make the same negatives.

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Add the variables with the Lookiingthe brands and surfaces of paper available, the amount of different developers and chemistry available, and all of a sudden you got a couple hundred combinations to deal with.

Charles Harbutt.

What do you point the camera at, where do you stand to point it, when do you shoot? How do you record and deliver the image? Alison Rossiter.

Chester Higgins Jr. In the beginning, I had issues — the digital sensors are a little flat.

But the digital does not make a picture, as film does not make a picture. But even if that were technically possible, the way of working with a view camera is completely different. The weight of it, the business and theater of setting it up, and Loiking, the quality of time it injects into the image itself, are unique.

Sacred Women Ceremony in the Vally of the Kings. Luxor, Egypt. Click here to contribute to the Intrepid Enlarger Kickstarter.

Pledgers will be given a reward of their choice and will be able to purchase the enlarger at a special price, before the release date. Please click here for more information on sponsored content funding at British Journal of Photography.

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Sid Kaplan. Sally Mann.

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